By this point the question is a physical one: what the thing is, how big it is, and where it goes. These pages take one format each and describe only what we stock, in the sizes and frames the catalogue actually carries, because a page describing a frame colour we can't sell is worse than a page with less on it. The last page in the stage is different: it walks the sixteen house portraits already made, for anybody who'd rather choose a picture than start from a photo.
The reading, in order
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The house print The plainest thing we make: a sheet of paper with one particular house on it. No frame, no glass, nothing between the picture and… -
The framed house print The one that arrives finished. A3 or A2, in a black or natural wood frame, with the print already in it and nothing left for… -
The house canvas The one for a big bare wall. The picture is stretched over a 2 cm wooden frame, and the sides carry a soft, blurred band taken… -
The metal print A 3 mm metal panel with the house printed on the surface. No frame, no glass, and nothing between the picture and the room to… -
The house mug The house, printed around an 11 oz white ceramic mug. The one piece in the range that gets used every morning instead of looked… - The sixteen house portraits Not every gift starts with a photograph. Sixteen house portraits are already made, and one of them is usually closer to the house…
The whole path
The path ends here. It starts back at the move, the questions hub lists every short answer on the site, and the gift guides hold the longer writing.
